Yep. fi
Yep!! First time I've seen that.He used both floor toms!
Yep!! First time I've seen that.He used both floor toms!
They were fantastic, although I don't care much for Jazz Bass Jaco-Tone (TM). And I thought Buddy's set was tuned great for jazz but not that. But it was pretty awesome anyway, and the bass player did use an Ampeg tube amp, which as an endorser of Ampeg for 11 years now, is something every bass player should doErnie Vantrease on piano and Wayne Pedziwiatr on bass and the chart is entitled "Journey".
Makes you wonder why he made that anti matched grip video.I loved the way Buddy switched from traditional grip to matched grip near the end....., start about 12:10
I’ve seen several videos of Buddy playing outside of his big band genre. He always killed it!This was outstanding....
Check out this thread and the video in it:This is the absolutely coolest thing I’ve ever seen or heard from Buddy. Amazing.
It’s because at the time, he really believed that trad grip was the only way to go. But more than anything to prompt the change of heart, I think he didn’t want to get left behind in the times and had enough trouble being a trad jazzer.Makes you wonder why he made that anti matched grip video.
Not so... It was because at that time Buddy would (on the right occasion) use match grip when called for. I used to find myself flipping over to match grip when soloing in certain spots.It’s because at the time, he really believed that trad grip was the only way to go. But more than anything to prompt the change of heart, I think he didn’t want to get left behind in the times and had enough trouble being a trad jazzer.
Buddy's opinions about matched vs trad grip were rooted in old-school thinking and the era in which he came up through the ranks. Buddy, Freddy Gruber and all those guys were simply flat-out wrong about trad grip having any inherent superiority. It's all about whichever grip a drummer spends their time practicing/using the most. There's nothing that can be played using trad grip that can't be played exactly the same and just as well using matched grip. If trad grip was superior we'd use it for both hands.
I guess that's the perception of matched vs trad at one time. I learned trad when I was a kid and used it often. I still don't do badly with it considering I had a 40 year layoff from semi-regular playing. I think it sounds better when I try to play trad jazz with it, but after seeing so many matched grippers play jazz with the best of them, I think it's just because I'm not used to doing it.Buddy played matched grip... Check the last two videos.
Matched grip had its place.
Those who disciplined themselves and took the time to learn correct traditional grip (it took lots of practice and work to adapt to) tended to see the few matched grippers as low IQ learners. Matched was not something to be pursued by those who studied and took lessons.
While learning to play with traditional grip, some of us found it hard to do and just wanted to chuck it and start playing. Some quit class and started playing matched grip. Matched grip did not require any specialized training. It was just like letting the caveman in you to start playing on skin covered hollow logs.
When I used to jam at the Guitar Center I sometimes found it amusing when some young drummer watching would comment how I could play traditional grip. Like I was a freak of nature!
To each his own....I guess that's the perception of matched vs trad at one time. I learned trad when I was a kid and used it often. I still don't do badly with it considering I had a 40 year layoff from semi-regular playing. I think it sounds better when I try to play trad jazz with it, but after seeing so many matched grippers play jazz with the best of them, I think it's just because I'm not used to doing it.
OK, so I guess Buddy wasn't dead set against matched the whole time, but he did show techniques that he said couldn't be done with matched in that video we've all seen, and rarely used matched that I've seen in decades of TV shows and vids. And he certainly didn't want to lose his relevance to modern players.
I noticed that, too. Coming from a guy that stated you can't "move around the kit" unless you play traditional grip all while downplaying any drummer that played any style but jazz. I'll always give him his well deserved due, but .......and he played matched grip!
Yeap....BR playing over the other two musicians....This was outstanding....
Yeap....BR playing over the other two musicians....
It was terrible.
You believe Buddy was also the sound engineer at the mixing board?
On my system Buddy was emphasized, but the other two blended in well enough.