After you set them on fire, they are technically smoky.What exactly does it mean to you when cymbals are described as “smoky”?
The "tah" is the main attribute when I think of smokey.As if looking through a cloud of smoke or a smokey window? The rest of the music is clouded/darkened somewhat, less clear?
The cymbal itself would not be as clear/clean sounding, but somewhat trashy/noisy, going "tah" instead of "zing".
This makes me think of some of the Dream Dark Matter cymbals I tried at PASIC. Not saying that all dark-colored cymbals are smoky, but those sure were.The "tah" is the main attribute when I think of smokey.
Really want hihats that sound like that.I want one of those! Man, Marcus Gilmore…
Yeah that smoky description doesn’t really describe much, does it?Posted in Talking Cymbals.
Smokey is in there:
Generally, these are for describing a ride sound, crash sound (strong accent on the edge of the cymbal), accent sound (shoulder of the stick on the ride area) bell sound, and harmonic profile. Also for describing definition and response, which are qualities of riding, accenting, and crashing.
Higher harmonics are emphasized generally.
Lower Harmonics are emphasized generally. An over-used word; I may use it to describe a very broad category of cymbal, or to mean, with specific individual cymbals, very dark, compared to warm or smoky.
Mid and lower harmonics subtly emphasized, generally harmonious profile.
Lower harmonics moderately emphasized. Many Holy Grail cymbals fall in this category.
The cymbal crashes with a bwah sound; in my mind suggesting a low sound. Can be a pleasing quality, or it can be a flaw.
Suggests an unusual Chinese cymbal or gong like sound or pitch bend.
Suggests a cymbal that is very responsive to crashing, possibly with a high sound.
Focused, harmonious profile.
Harmonics de-emphasized relative to the direct stick sound.
Excessively dry or muffled, lacking in expected overtones. Not always a negative quality.
Full harmonic profile, big wash, easily crashable.
Responds quickly to the touch of the stick. When crashing and rolling, builds to a peak and fades quickly.
Long crash sound that peaks well after the cymbal is struck. Could also describe a cymbal that requires a lot of force to get an explosive crash sound.
A mysterious combination of dark, dry, trashy, and exotic.
Pronounced random harmonics. Could be used interchangeably with trashy, but noisy has a more negative implication.
Harmonic profile tending towards a white-noise like sound; random harmonics dominating the sound.
Strong, focused attack, tending to be higher-pitched, to cut through a large ensemble or electric band.
Unbalanced high harmonics present. I would never use this word as a positive adjective.
A persistent, obnoxious metal sound.
A forceful metal sound. Generally negative, but moderate clanginess can be desirable; it can give raw energy.
Bright, light, non-metallic sound. I use airy to describe many of our Leon Collection cymbals.
Lacking in body; almost an empty sound. Airy and glassy could be used interchangeably by different people, but for me, airy is positive, glassy is more negative.
Not referring to the actual thickness of the metal— suggests an insubstantial, tinny sound.
I have never thought to describe a cymbal as hot, but it is used. Sweet is a commonly used word the meaning of which I am unclear on, other than “sounds pretty”, or a pleasantly bright sound. I have played a few cymbals with a distinctly tubby sound. Cymbals are essentially springs, and I have encountered a few very strange cymbals with a springy, slinky-like tone. Some people say sticky to refer to a cymbal with a pronounced stick sound. Some have described sounds as actual colors: blue, red, green, yellow. I have no idea what is meant by that.