I have to admit this is a somewhat confusing question to me. I wonder why is this even being considered? I’ve never heard this discussion among my “professional” associates. If it did come up it would be from a leader/contractor who is unfamiliar with a particular musician querying others about that musicians’ capabilities in which case the reply might be “She/He is a pro”.
Further in smaller markets, like Buffalo/WNY, it is virtually impossible to work full time as a performing musician unless you play solo piano and/or live way below the poverty line. Neither of those things are bad but rather may limit the opportunities for growth, touring, expansion because of the time commitment involved in keeping those gigs.
Instead, most of the high level musicians in our region have teaching gigs (private studios, public schools or colleges), other business or labor jobs, or own businesses that may or may not be entertainment oriented. I don’t know anyone who is being supported by their spouse in the way that was suggested above. But let’s face it, we live in the era of two (or more) income households and the “gig” economy. Why would it be any different for musicians?
I’ve survived with virtually all manner of playing and teaching gigs for my entire career (40+ years). Sometimes it has been difficult. Teaching at colleges really provided me with stable steady income to get through the dry periods (like a pandemic). But rather than lessening my “professional” standing it has increased my abilities, opportunities to do what I want, and success. I absolutely consider myself a professional musician.
So my definition becomes, “A professional is someone who figures out how to piece together a musical career that involves creative growth, artistic opportunities and economic stability while providing a service that meets the needs of their community.”
Further in smaller markets, like Buffalo/WNY, it is virtually impossible to work full time as a performing musician unless you play solo piano and/or live way below the poverty line. Neither of those things are bad but rather may limit the opportunities for growth, touring, expansion because of the time commitment involved in keeping those gigs.
Instead, most of the high level musicians in our region have teaching gigs (private studios, public schools or colleges), other business or labor jobs, or own businesses that may or may not be entertainment oriented. I don’t know anyone who is being supported by their spouse in the way that was suggested above. But let’s face it, we live in the era of two (or more) income households and the “gig” economy. Why would it be any different for musicians?
I’ve survived with virtually all manner of playing and teaching gigs for my entire career (40+ years). Sometimes it has been difficult. Teaching at colleges really provided me with stable steady income to get through the dry periods (like a pandemic). But rather than lessening my “professional” standing it has increased my abilities, opportunities to do what I want, and success. I absolutely consider myself a professional musician.
So my definition becomes, “A professional is someone who figures out how to piece together a musical career that involves creative growth, artistic opportunities and economic stability while providing a service that meets the needs of their community.”