type85
Well-Known Member
Looking forward to the "Get back" documentary, took this screenshot of the trailer, neither of those look like Zildjians!
Both look like 602's
It's Ringo himself who claims he was all Zildjian, even though we know there were others. The first time we talked about cymbals in 1995, he said he played all "Avedis" and showed me his hi hats that he said were from 1960 and I quote, "On all the records." But yes, he definitely used Zyn and we believe Paiste 602s, but my understanding is that was earlier and by Let It Be and Abbey Road, he was using all A. Zildjians.Yeah, I was thinking the same thing! I'm pretty sure he used some Arbiter 602's (as did Charlie Watts) during that period and probably some "super Zyn's".
Zildjian loves to claim Ringo was all Zildjian, but I know that's not the case!
As stated above, I'd heard the opposite regarding Paiste. That he used them earlier. I always thought by or after Sgt. Pepper (1968/1969) he was using all A. Zildjians. My understanding is he gifted some or all of his 602s to Jim Keltner. I'm going to ask Jim. Ringo once kidded me about playing Paiste in the old days. This was over 20 years ago, so "the old days" could have meant 1969 or 1963. But like Charlie, Ringo didn't pay much or any attention to the specifics of what he used when, so it's hard to get definitive answers. Gary has done a great job, but some of it is like flying blind.I think only time will tell as Gary (Astridge) continues his research. I think you are right that he used Paistes near the Let It Be period. There has been much discussion on this topic and here is an older DFO link on it :
Ringo's cymbals??
Does anyone know what size/weight cymbals Ringo used during the Ed Sullivan days? I'm guessing 20" med ride/rivets, 18" med crash w/ rivets and 14" medium hats.www.drumforum.org
I have read Ajax, Zyn and Super Zyn in the "early days", Zildjian and Zyn during the first Ed Sullivan appearances plus Washington Coliseum and Carnegie Hall concerts and Zildjian up to Sergeant Pepper's era interspering with Paiste and Paiste thereafter but it seems no one knows for sure.
I am not sure we will ever know for sure but certainly whatever cymbals Ringo has left from the Beatle era will give a clue. I can't tell from the recordings due to the compression....
Thanks for the correction, John. I figured you would chime in and helpIt's Ringo himself who claims he was all Zildjian, even though we know there were others. The first time we talked about cymbals in 1995, he said he played all "Avedis" and showed me his hi hats that he said were from 1960 and I quote, "On all the records." But yes, he definitely used Zyn and we believe Paiste 602s, but my understanding is that was earlier and by Let It Be and Abbey Road, he was using all A. Zildjians.
As stated above, I'd heard the opposite regarding Paiste. That he used them earlier. I always thought by or after Sgt. Pepper (1968/1969) he was using all A. Zildjians. My understanding is he gifted some or all of his 602s to Jim Keltner. I'm going to ask Jim. Ringo once kidded me about playing Paiste in the old days. This was over 20 years ago, so "the old days" could have meant 1969 or 1963. But like Charlie, Ringo didn't pay much or any attention to the specifics of what he used when, so it's hard to get definitive answers. Gary has done a great job, but some of it is like flying blind.
My pleasure.Thanks for the correction, John. I figured you would chime in and help![]()
Yes, maybe the closeups in the footage from the film will be helpful.My pleasure.It's a mystery I too would love solve. Maybe we'll know more when the film is released.
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1969 – 1973: E.W.Kent — hand-painted psychedelic (22/20/16/13/12); Ludwig (hand-painted psychedelic 16" FT; 5" SS); Zildjian (20/20/18/16/14 hats/8/6); Paiste 15" Standard; 34" gong), No-name "Made in Italy" (13)Yeah who could recall exactly what gear they were using 50-55 yrs ago? ...
1969 – 1973: E.W.Kent — hand-painted psychedelic (22/20/16/13/12); Ludwig (hand-painted psychedelic 16" FT; 5" SS); Zildjian (20/20/18/16/14 hats/8/6); Paiste 15" Standard; 34" gong), No-name "Made in Italy" (13)
1973– 1977: Ludwig Vistalite — clear (24/24/20/15; 6,8,10,12,13,14 concert toms); Fibes (SFT690); Zildjian (21/20/18/18/16/13/13 hats/8); Paiste (34" gong)
Some drummers are bigger gear-heads than others. I've always been very into my drum gear — I could even tell you exactly what hardware mix I was using 50+ years ago.
Some drummers are bigger gear-heads than others.
My very first kit included a set of 14" Zyn hi-hats. They had oxidized gray and sounded absolutely gawd-awful — they clanged and gonged and went "spit" instead of "chick" and were by far the most un-musical sounding cymbals I've ever had the misfortune to play....I used to have some Zyns and Super Zyns as a youngster and they were mostly awful...
My very first kit included a set of 14" Zyn hi-hats. They had oxidized gray and sounded absolutely gawd-awful — they clanged and gonged and went "spit" instead of "chick" and were by far the most un-musical sounding cymbals I've ever had the misfortune to play.
Krut is Turk spelled backwards, if I remember the story behind them.I think back in the day people used 5 Star Super Zyn because they were affordable and available.
My first kit included Super Zyn, Zyn and Krut. The last name there aptly describes the sound.