bigbonzo
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Playing with a small band.
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SINGING while I was playing. Quarter notes, upbeats, bass line, melody as designed by Gary Chester and used in his systems.Aside from the obvious of practicing, what was the greatest thing that improved your drumming. Was it a book? A video? A youtuber? A teacher?
DrumPhil, this is fascinating to me. I'm 71, and I resurrected playing Drums after 50 Years [1969] as a HS Senior - Ahhhhh The Summer of 69. In 2018, as I was approaching the End Of The Line (thank you Travelling Wilburys), nearing work retirement, I mentioned to my wife of 44 years (now 48 years), that I had the "urge" to go play drums at a local Music Studio. Never did it, BUT she gifted me a Cheapo Gammon Kit for that Xmas. Bless Her Soul!! Had to knock off buckets of Rust (playing Air Drums and on Car Dashboards doesn't cut it) and played along to my Boom Box in the Finished Basement, usually about an hour a day. Funny about Drumming and probably any Musical Instrument, like riding a Bike, it Comes back to you. Not to Ginger Baker, , Keith Moon, Steve Copeland or Dino Dinelli caliber, but Charlie Watts yes. First complete tune that I played was : Long Cool Woman In A Black Dress. I have since upgraded to a PDP Concept Maple kit and created an entire sound Room / Man Cave [Hate that Term but it fits now in retirement], during COVID Hibernation. New Stereo equipment that I play MY MUSIC on - Streaming, CDs, LPs, Tapes... Ditto to what you do, I play those familiar Sounds of the 60s, 70s, and 80s, (but generally stops there) each day during my 1 Hour sessions. As I improved I would go Too Crazy doing Fills - taking the Tune out of Context. After watching You Tube videos - which for me have been an immense Help, leaning about Drumheads, Tuning, Hacks, etc. Reading Kenny Aronoff's Book, Sex, Drums, and Rock and Roll was insightful. Kenny describes how after meeting Mellencamp who emphasized that Mellencamp Hated all those cymbal crashing Overfills in his music - contrary to what Aronoff wanted to do. Kenny learned that Less Can Be More !!Sorry, but I have to give two.
First, my first drum set teacher, who taught me the importance of the bass drum as the foundation of the groove. On a car radio or portable music device it is easy to hear the snare and top end sounds going on in the music but miss what is going on on the bottom. When he showed me that under a simple backbeat there can be a huge variety of funky stuff going on with the feet, drumming all of a sudden became very creative and musical.
Second, practicing to pop radio in the 1970s. Back then you had a wide variety of high quality music that would appear on any one station. The broadcasts weren't as homogenized as they are now. So I could put on headphones and practice along, learning to quickly adapt my playing to whatever style of song came up next. I didn't necessarily know the "correct" groove for each song, but I learned to listen and pick up on what the band was doing, and make my playing fit musically into the context. That skill has payed off over and over again.
Playing with older cats. Even the grumpy ones.Aside from the obvious of practicing, what was the greatest thing that improved your drumming. Was it a book? A video? A youtuber? A teacher?
One needs to play the instrument and the music well. You cannot have one without the other.Realizing that it's far more important to play the music well than it is to play the instrument well. The instrument exists to serve the music, not vice versa. Understanding this made me think about giving the music what it needs, no more and no less, which obviates the oft heard groove vs. chops trope.
Um, maybe not. A lot of pop music does not necessarily need a lot of complicated playing or advanced technique from us to sound good. As a 12 year old I had minimal facility, yet I could sit down and play along with most AM radio tunes of the 1960's with little difficulty. I wasn't a great drummer, but I could play well enough to nail most of the parts to what was popular then. I was blissfully unaware of Tony Williams, Roy Haynes or Jack DeJohnette at the time; there was no way I'd've been able to hang with the Live at Carnegie Hall album.One needs to play the instrument and the music well. You cannot have one without the other.
I'm not talking about playing along the radio or to records.Um, maybe not. A lot of pop music does not necessarily need a lot of complicated playing or advanced technique from us to sound good. As a 12 year old I had minimal facility, yet I could sit down and play along with most AM radio tunes of the 1960's with little difficulty. I wasn't a great drummer, but I could play well enough to nail most of the parts to what was popular then. I was blissfully unaware of Tony Williams, Roy Haynes or Jack DeJohnette at the time; there was no way I'd've been able to hang with the Live at Carnegie Hall album.