Thanks. Johan VDS hats, 18 Spizzichino, 22 Lauritsen, 22 Calabria.Nice. What cymbals are these?
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Thanks. Johan VDS hats, 18 Spizzichino, 22 Lauritsen, 22 Calabria.Nice. What cymbals are these?
The last time I played anything smaller than my standard 7-piece setup (2-BD/2-tom/2-FT/snare/10+ cymbals) was back in 2009, when a transportation SNAFU to a gig with my 3-piece surf band forced me to leave my second BD and tom home. The all-Zildjian cymbal setup was (from L>R): 22" A Swish Knocker, 17" K Med-Thin Crash, 22" K Heavy Ride, 18" A Thin Crash, 16" A Med-Thin Crash, 14" New Beats.
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Here's the Ludwig kit with the basic setup...
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Very pretty kits!I do make an exception with my Stones tribute band, adding a China over the hi-hat as an homage to Charlie.
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Thanks! The band is called Wilder Horses:Very pretty kits!
Stones tribute band? What's your band's name?
I think every drummer should do this occasionally for practice. Important to learn how many different sounds you can get out of one cymbal. So much is relevant with each particular cymbal, from bell to edge you get a different sound using different sticks, striking technique, etc. This is why I recently cut back from 7 to 2 just to practice cymbal technique. When the mood hits me, I'll be back to seven (or more).
Not as much as I would've for most other brands floating around at that time.Do you mind if I ask how much did you pay for that little bass drum?
Welcome back, Ryno.Here goes with the first post of my third DFO tour of duty.I went by rculberson here for a looong time, then switched to Ryneaux, and am now back to my old Cymbalholic handle. I had recently sworn off all drum fora, but I guess I’m a glutton for punishment!
I very rarely run a four piece kit anymore. I can usually do everything I need to with a three piece. When I do run a four piece, I love setting up my cymbals Charlie Watts-style, in his ‘69-‘77 configuration. Hats only on the left side, with two cymbals on the right side. A Mick Taylor-era Stones deep dive is what piqued my curiosity about Charlie’s unique setup during that era, which I consider to be The Stones most potent output.
After several years of running this rig, I’ve grown to truly appreciate the mindset it puts me in. Not having the left side cymbal forces a different kind of decision making process, and I find it inspires me to play my cymbals more judiciously. I don’t see myself going back to “normal” setup anytime soon, if ever.
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Wow, the chrome is amazingly colorful in this photo...must look great with stage lights on it...Eight, if you count the Hi-hats individually.....
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Love the centered hi-hat!!I change my kit depending on what’s needed for the gig.
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I was giving a try to Bill Bruford's setup. He mentioned in his autobiography that he set up that way to help him avoid descending tom fills. It definitely works in that regard!Love the centered hi-hat!!
And he avoids them because????????He mentioned in his autobiography that he set up that way to help him avoid descending tom fills.