Show me pics of your cymbal setup on your 4 and 5-piece kits...

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The last time I played anything smaller than my standard 7-piece setup (2-BD/2-tom/2-FT/snare/10+ cymbals) was back in 2009, when a transportation SNAFU to a gig with my 3-piece surf band forced me to leave my second BD and tom home. The all-Zildjian cymbal setup was (from L>R): 22" A Swish Knocker, 17" K Med-Thin Crash, 22" K Heavy Ride, 18" A Thin Crash, 16" A Med-Thin Crash, 14" New Beats.

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That’s cool to see you behind that single bass kit. I’m so accustomed to your white dbl bass set. That gloss black is really sharp.
 
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Eight, if you count the Hi-hats individually.....
chrome set 2022.jpg

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I've cut back from 11

b.o.set 9-9-2006.jpg
 
Here goes with the first post of my third DFO tour of duty. :happy6: I went by rculberson here for a looong time, then switched to Ryneaux, and am now back to my old Cymbalholic handle. I had recently sworn off all drum fora, but I guess I’m a glutton for punishment! :D

I very rarely run a four piece kit anymore. I can usually do everything I need to with a three piece. When I do run a four piece, I love setting up my cymbals Charlie Watts-style, in his ‘69-‘77 configuration. Hats only on the left side, with two cymbals on the right side. A Mick Taylor-era Stones deep dive is what piqued my curiosity about Charlie’s unique setup during that era, which I consider to be The Stones most potent output.

After several years of running this rig, I’ve grown to truly appreciate the mindset it puts me in. Not having the left side cymbal forces a different kind of decision making process, and I find it inspires me to play my cymbals more judiciously. I don’t see myself going back to “normal” setup anytime soon, if ever.

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Very pretty kits!
Stones tribute band? What's your band's name?
Thanks! The band is called Wilder Horses:
 
...here's an alternative to the above setup, sans toms...

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I think every drummer should do this occasionally for practice. Important to learn how many different sounds you can get out of one cymbal. So much is relevant with each particular cymbal, from bell to edge you get a different sound using different sticks, striking technique, etc. This is why I recently cut back from 7 to 2 just to practice cymbal technique. When the mood hits me, I'll be back to seven (or more).
 
Do you mind if I ask how much did you pay for that little bass drum?
Not as much as I would've for most other brands floating around at that time.
That's the Ludwig Classic Maple kit I bought in 1999.
 
Here goes with the first post of my third DFO tour of duty. :happy6: I went by rculberson here for a looong time, then switched to Ryneaux, and am now back to my old Cymbalholic handle. I had recently sworn off all drum fora, but I guess I’m a glutton for punishment! :D

I very rarely run a four piece kit anymore. I can usually do everything I need to with a three piece. When I do run a four piece, I love setting up my cymbals Charlie Watts-style, in his ‘69-‘77 configuration. Hats only on the left side, with two cymbals on the right side. A Mick Taylor-era Stones deep dive is what piqued my curiosity about Charlie’s unique setup during that era, which I consider to be The Stones most potent output.

After several years of running this rig, I’ve grown to truly appreciate the mindset it puts me in. Not having the left side cymbal forces a different kind of decision making process, and I find it inspires me to play my cymbals more judiciously. I don’t see myself going back to “normal” setup anytime soon, if ever.

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Welcome back, Ryno. :occasion5:
 
The cymbals have changed, but their position remains the same. I sold these and now play all 1950's A Zildjians. I do sometimes get by with one less cymbal on my right, but typically like having hats (14"), a crashable left side ride (19" or 20"), a crashable main ride (20", 21" or 22") and one or two crashes (18" and 19"). With the vintage A's that I have each can be crashed or ridden on.

Josh's Drums.jpg
 
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