james_c_marks
Well-Known Member
We all know that rivets convert low frequency energy into high frequency energy.
This 22” started with 8 steel rivets. I replaced them with small Bosporus brass rivets to reduce the sizzle, to make it “more polite”. I experimented with fewer than 8 rivets, but noticed that a lot of the low end returned. The wash could swell up and I would lose articulation.
I added small felt pads to the top of the rivets to dampen the sizzle and keep the reduced low end they provide. I liked it so much I eventually super glued the pads to the rivets.
The overall effect is different than removing rivets or taping the cymbal. The frequency profile is just where I want it. I still have the sizzle - very lightly there - and the low end is dampened.
The cymbal is perfectly controllable.
This 22” started with 8 steel rivets. I replaced them with small Bosporus brass rivets to reduce the sizzle, to make it “more polite”. I experimented with fewer than 8 rivets, but noticed that a lot of the low end returned. The wash could swell up and I would lose articulation.
I added small felt pads to the top of the rivets to dampen the sizzle and keep the reduced low end they provide. I liked it so much I eventually super glued the pads to the rivets.
The overall effect is different than removing rivets or taping the cymbal. The frequency profile is just where I want it. I still have the sizzle - very lightly there - and the low end is dampened.
The cymbal is perfectly controllable.
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