elcid
drum czar
Ok, am in a aquandry of sorts...with the selection of the "right" ride cymbal for my church choir "gigs" that is...
This is what's going on: the church-owned drums that am using are an older Pearl set with which I have no real problems other than its 13" piccolo snare drum (I provide one of my own from amongst a modest stable of snares), but when it comes to its cymbals...well, that's another matter altogether; the kit was outfitted with rather small Sabian crashes and hats ("B8" or something to that effect)...and a non-descriptive, un-hammered, unlathed 20" ride that is so penetratingly pingy that just drives me nuts (its sonic thumbprint captured by near-field recordings with a Sony D-50 digital recorder is simply atrocious sounding!).
Add to that the venue's own acoustics--a very reververant field with hard reflective surfaces at every plane--and the darn thing becomes truly overwelming in short order (to my ears anyway)!
In an attempt to solve this dilema have tried a veriety of cymbals from my admitedly meager collection, a 22" Diril D-20 ride being about the most suitable in terms of overall balance, but it too has its own idiosincrasies; produces a bit more "wash" over the fundamental "ping" than I want for this particular application.
Anyway, experimenting with other rides the last couple of weeks have compelled me to use a late '60s Paiste 202 twenty-inch pie that belongs to my son; with a rather small bell and medium weight the combination is about what am after although is not quite there either, so my latest thinking has veered me towards the direction of flat top rides...Zildjian Ks in particular.
Can anyone from among my fellow DFO cognoceti tell me if such type of cymbal would provide me with what I want from a ride (clean and well defined--but not overbearing--"ping," with a minimum of dry--but "sweet"!--wash) for this particular application? Been contemplating the purchase of a used 20" flat top K pie, but before I buy it would like to hear comments from those who knows about cymbals far more than I do, so please fire away!...
-elcid
This is what's going on: the church-owned drums that am using are an older Pearl set with which I have no real problems other than its 13" piccolo snare drum (I provide one of my own from amongst a modest stable of snares), but when it comes to its cymbals...well, that's another matter altogether; the kit was outfitted with rather small Sabian crashes and hats ("B8" or something to that effect)...and a non-descriptive, un-hammered, unlathed 20" ride that is so penetratingly pingy that just drives me nuts (its sonic thumbprint captured by near-field recordings with a Sony D-50 digital recorder is simply atrocious sounding!).
Add to that the venue's own acoustics--a very reververant field with hard reflective surfaces at every plane--and the darn thing becomes truly overwelming in short order (to my ears anyway)!
In an attempt to solve this dilema have tried a veriety of cymbals from my admitedly meager collection, a 22" Diril D-20 ride being about the most suitable in terms of overall balance, but it too has its own idiosincrasies; produces a bit more "wash" over the fundamental "ping" than I want for this particular application.
Anyway, experimenting with other rides the last couple of weeks have compelled me to use a late '60s Paiste 202 twenty-inch pie that belongs to my son; with a rather small bell and medium weight the combination is about what am after although is not quite there either, so my latest thinking has veered me towards the direction of flat top rides...Zildjian Ks in particular.
Can anyone from among my fellow DFO cognoceti tell me if such type of cymbal would provide me with what I want from a ride (clean and well defined--but not overbearing--"ping," with a minimum of dry--but "sweet"!--wash) for this particular application? Been contemplating the purchase of a used 20" flat top K pie, but before I buy it would like to hear comments from those who knows about cymbals far more than I do, so please fire away!...
-elcid